Robert Indiana’s largest painting—the basketball court for the Milwaukee Exposition Convention Center Arena (MECCA), unveiled in October, 1977. (source: Robert Indiana by Carl J. Weinhardt, Jr.)

Robert Indiana’s largest painting—the basketball court for the Milwaukee Exposition Convention Center Arena (MECCA), unveiled in October, 1977. (source: Robert Indiana by Carl J. Weinhardt, Jr.)

The Big Four (Four Fours), by Robert Indiana, 1964. 
“Four, Indiana explained to Arthur C. Carr, was an unhappy number and ‘not a lucky number by common superstition’.” (From Robert Indiana: Figures of Speech by Susan Elizabeth Ryan.)
Uh-oh. 

The Big Four (Four Fours), by Robert Indiana, 1964. 

“Four, Indiana explained to Arthur C. Carr, was an unhappy number and ‘not a lucky number by common superstition’.” (From Robert Indiana: Figures of Speech by Susan Elizabeth Ryan.)

Uh-oh. 

Interior and exterior views of Jasper Johns’s studio in Edisto Beach, SC. Photographs by Ugo Mulas, from Jasper Johns: A Retrospective.

Interior and exterior views of Jasper Johns’s studio in Edisto Beach, SC. Photographs by Ugo Mulas, from Jasper Johns: A Retrospective.

Mock-up of the Erik Parker monograph I’m designing for the Aldrich Museum and Rizzoli.

Mock-up of the Erik Parker monograph I’m designing for the Aldrich Museum and Rizzoli.

Roy Lichtenstein’s Southampton studio. Photographs by Laurie Lambrecht.

Fold Four is working with the Aldrich Contemporary Art Museum and Rizzoli on the design of painter Erik Parker’s first career retrospective catalogue. 

Fold Four is working with the Aldrich Contemporary Art Museum and Rizzoli on the design of painter Erik Parker’s first career retrospective catalogue.